Adikavi, Maharshi Valmiki provided the first great model for composing poetry imbued with all the nine Rasas. He authored the Ramayana at a time when the formal academic discipline of aesthetics was nonexistent. This essay brings out a beautiful exposition of the aesthetic and artistic elements of t
Following refined etiquette is a great hallmark of the Rāmāyaṇa. At almost every step, the epic provides us detailed, moving and brilliant pictures of the profound beliefs and value systems= by which the Sanatana society in the Ramayana era abided.
As long as our emotions remain relevant to us, the Rāmāyaṇa will remain in currency. Sri Rama was truly the national integrator. He belonged to the Sūrya-vaṃśa and just as the world cannot exist without the Sun, it cannot exist without Rāma and the Rama-Tattva.
Srimad Ramayana is an immortal work of poetry imbued with great artistry. It is not a treatise on history, geography, anthropology, flora and fauna although these elements occur profusely in the epic. Neither the Rāmāyaṇa nor the Mahābhārata has claimed itself to be a treatise on biology, geography
According to the Puranas, Valmiki was a robber initially. He was enlightened by the Rishis after which he sat in meditation chanting the sacred name of Rama with such intensity that an anthill grew around his body. As he emerged out of the anthill or Valmīka, he came to be called Vālmīki. Having thu
Srimad Ramayana has been justly hailed as the Adi Kavya (The First Poem) and Maharshi Valmiki as the Adi Kavi (The First Poet). The Rāmāyaṇa, however, paved a hitherto untrodden and unrealised path – the path of artistic charm, where everything worldly is sublimated to the spiritual. This poetic pa
