Much confusion, debates and distortions have occurred owing to the hundreds of versions and retellings of the Ramayana that have appeared in all Indian (and foreign) languages. This episode begins a detailed decoding of several of these versions and attempts to arrive at the most accurate and origin
Adikavi, Maharshi Valmiki provided the first great model for composing poetry imbued with all the nine Rasas. He authored the Ramayana at a time when the formal academic discipline of aesthetics was nonexistent. This essay brings out a beautiful exposition of the aesthetic and artistic elements of t
Following refined etiquette is a great hallmark of the Rāmāyaṇa. At almost every step, the epic provides us detailed, moving and brilliant pictures of the profound beliefs and value systems= by which the Sanatana society in the Ramayana era abided.
The Ramayana captures every aspect of Sanātana-dharma that is in practice today. In fact, the word ‘Sanātana-dharma’ itself occurs quite a few times in the epic. The Ramayana is also a wonderfully artistic exposition of the Purusharthas that formed the bedrock of the Hindu society since time immemor
As long as our emotions remain relevant to us, the Rāmāyaṇa will remain in currency. Sri Rama was truly the national integrator. He belonged to the Sūrya-vaṃśa and just as the world cannot exist without the Sun, it cannot exist without Rāma and the Rama-Tattva.
The journey of Rāma is the story of Sītā; the epic captures their extraordinary life as an ideal couple. Rāvaṇa’s interference disrupts their life, their journey and their story. Maharshi Valmiki points out in a splendid manner how the wicked deeds of an individual can have cascading effects on innu
Srimad Ramayana is an immortal work of poetry imbued with great artistry. It is not a treatise on history, geography, anthropology, flora and fauna although these elements occur profusely in the epic. Neither the Rāmāyaṇa nor the Mahābhārata has claimed itself to be a treatise on biology, geography
According to the Puranas, Valmiki was a robber initially. He was enlightened by the Rishis after which he sat in meditation chanting the sacred name of Rama with such intensity that an anthill grew around his body. As he emerged out of the anthill or Valmīka, he came to be called Vālmīki. Having thu
Srimad Ramayana has been justly hailed as the Adi Kavya (The First Poem) and Maharshi Valmiki as the Adi Kavi (The First Poet). The Rāmāyaṇa, however, paved a hitherto untrodden and unrealised path – the path of artistic charm, where everything worldly is sublimated to the spiritual. This poetic pa
This is the introductory episode of a series exploring the various nuances of Maharshi Valmiki's immortal epic, Srimad Ramayana. It is part of the Prologue written by scholar and researcher, Sri Arjun Bharadwaj's latest work titled "The Essential Ramayana."
Parashuram Krishna Gode passed away just two months before his 70th birthday. He ranks as one of the brightest stars in the galaxy of the New Indian Renaissance. It was a rank he did not aspire for. In fact, he aspired for nothing. He carried out his Dīkṣā like a true Karma Yogi — immersed, yet deta
P.K. Gode lived in a fortunate period which not only recognised his contribution but valued and celebrated it. The highest point in Gode’s productive and distinguished life arrived on May 18, 1949. He was honoured by the redoubtable Mahamahopadhyaya Pandurang Vaman Kane in a public function held in
