By the time Girish Karnad wrote Agni Mattu Male (The Fire and The Rain) in the early 1990s, he had already pocketed the Sangeet Natak Akademi Award, the Padmashri, the
And so it begins again.
As the release date for Sanjay Leela Bhansali’s latest opium-addled celluloid perversity approaches, all manner of politicisation has erupted once again. If Karni Sena’
