The Intrinsic Character of Hindu Inscriptions and their Classification
Hindu inscriptions are actually Government records. They provide us authentic information about the historical events that they record.
The Nehruvian and Marxist Slaughter of Hindu Inscriptional Studies
How the Nehruvian establishment aided and abetted by Marxists masquerading as historians destroyed Indian epigraphy.
Deciphering Hindu Inscriptions: A Brief Tour
Indian epigraphy is one of the toughest disciplines and a highly demanding profession, calling for expert-level knowledge in multiple domains.
The Golden Age of Indian Epigraphy
The Golden Age of Indian Epigraphy began in the late 19th century and lasted up to the 1950s. It is an epoch that needs a more comprehensive study.
Indian Epigraphy or an Invitation to Profundity: Where the True History of India Resides
The first part of an introductory series on Indian Epigraphy or the study of inscriptions.
When Ramaswami Sivan Stoked a Needless Controversy Over Maha Vaidyanatha Sivan
Maha Vaidyanatha Sivan's untimely death was a huge blow for his brother, Ramaswami Sivan. He wrote an unfair book castigating greats like Patnam Subramania Iyer in order to uphold his own death brother's eminence.
Maha Vaidyanatha Shivan and Pattanam Subramania Iyer: Nuggets from a Musical Friendship
Pattanam Subramania Iyer and Maha Vaidyanatha Sivan shared a mellow friendship underscored by music.
The Musical Milieu of Maha Vaidyanatha Sivan
A unique feature of Maha Vaidyanatha Sivan's voice was that it never needed any practice.
Maha Vaidyanatha Sivan: The Voice that Swam in all Octaves
Maha Sivan's voice extended from the anu-mandara pancama to ati-tara shadja. It is difficult to believe that any human voice – let alone a male voice – could have such a stupendous range
When Maha Vaidyanatha Sivan Composed the Mela Ragamalika in Just a Week
Maha Vaidyanatha Sivan was a child prodigy whose compositions match the quality of the Trinity of Carnatic Classical Music.