‘Dhurandhar’ is the first Indian movie that shows Pakistan as an Islamic theocratic state masquerading as a democracy and how it has cultivated a vast ecosystem of supporters in India
Listen to the first episode of a new series on the Dharma Podcast narrating the anti-national history of how Bollywood started as an art form and was infiltrated by Communists and Islamists.
In recent times, Bollywood has emerged as one of the most divisive forces hurting India. This phenomenon can be best described as the Bhaandification of Bollywood.
Stability is the bedrock of the Indian aesthetic tradition. Its gradual erosion is one of the singular factors contributing to the decline and downfall of this tradition. Nowhere is this more visible than in Indian cinema.
In a 1913 essay of great historical and cultural value, the pioneering Indian filmmaker, Niranjan Pal elaborates his vision for using the emerging medium of cinema to showcase the best aspects of Indian culture. Niranjan Pal was the son of the great freedom fighter, Bipan Chandra Pal.
A deeply scholarly analysis of how the 1999 Hindi film, "Hum Dil De Chuke Sanam" subtly promotes Love Jehad by using Brahmin-bashing as one of its premises. Also included is a detailed critique of the superhit song, "chand chupa badal mein."
सरकारवर एकदाही टीका केलेली तुम्हाला आढळणार नाही. उलट, व्यापाराला आणि व्यापाऱ्यांना राक्षसी स्वरूप देण्याच्या सरकारच्या आर्थिक तत्त्वज्ञानाशी हे पूर्णपणे सुसंगत आहे
![[Episode #87] Communism, Kothas and Woke Culture: The Anti-National History of Bollywood](https://storage.ghost.io/c/7a/28/7a282001-d7d9-4557-89df-49e915555c31/content/images/size/w960/format/webp/local/2025-03-27/wbyaorl3/Communism-Kothas-and-Woke-Culture-The-Anti-National-History-of-Bollywood.png)
