चला दोन निदर्शक घटनांकडे पाहूया ज्या भारताच्या स्वातंत्र्योत्तर इतिहासातील सहजगत्या रेखाटलेल्या. दोन्ही एकाच व्यक्ती बद्धल आहे, दोन्
A comprehensive critique of the 2006 Hindi film, "Rang De Basanti" as a vehicle of Communist propaganda
For all his copious verbal and textual nonsense, even Jawaharlal Nehru, the Granddaddy of secularism in India, couldn’t have come up with the stealthy genius of Salim-Javed who so subtly, insidiously promoted Islamism in mainstream cinema in the garb of secularism and the “Hindu-Muslim Bhai bhai” template.
The first and greatest thing about Deewaar is the fact that it truly is a fantastic piece of cinema. It is also why it has endured as a classic. The storytelling is simply compelling, a big reason for its repeat value. Indeed, there is truth in the near-universal consensus
Let’s look at two representative instances[i] from the post-independence history of India drawn at random. Both concern the same people, both are related to each other and both provide a good framework of reference to understand much of the seventy-year-long national economic woe that followed.
In my memoriam essay on Girish Karnad’s death, I had remarked that Girish Karnad was a mediocre director and a terrible playwright. Starting with this piece, we will examine a few prominent plays and cinema of Girish Karnad if only to puncture the hot-air balloon of unearned fame